Charles Dickens English Coursework

Charles Dickens English Coursework-61
) to that: how so-called practitioners skirt various temptations (or fail to do so); and how a certain lawyer or doctor justifies his work, comes to terms with his perceived obligations, responds in mind and heart to the hurt, the vulnerability, the alarm if not panic of his clients, his patients.Even as in we see George Eliot trying to comprehend the fate of Dr.Men, women, and children still find themselves irritated, then confounded, then outraged, and finally maddened by cases which affect them deeply, and seem to go on and on and on—maybe not for generations, as happened in , but long enough for particular children to suffer in extended custodial fights, and for particular workers and families to suffer while the responsibility for, say, dangerous environmental pollution is argued in court for months which become years.

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Too much is made, one can argue, about the protracted nature of the celebrated Jarndyce litigation.

In one enumeration, made in the well-known first chapter, Dickens does indeed mention “procrastination,” but he also mentions “trickery,” and he mentions “evasion,” and “spoliation.” He even makes reference to “botheration,” surely of interest to this proudly self-conscious age wherein the social sciences, especially psychology and psychiatry, are thought to explain so much to us.

No matter the success those years brought, there was in this greatest of storytellers an unyielding attachment of sorts to his early social and moral experiences; he worked them over repeatedly in the later novels— down-and-out English life, the exploitation, and, not least, the miscarriages of justice.

No acclaim, no money, no amount of achieved influence seemed enough to stop him from looking closely at a nation he both loved and yet found urgently in need of reform.

Lydgate— the transformation of an avowedly idealistic young doctor into an all too (by his own early and high standards) compromised and self-serving one—the many chapters of is surely the highest in rank—that is, the one who has achieved the most professional success.

He is a distinguished lawyer and advisor to one of England’s most powerful families.

At the same time he immersed himself in his own world—reported on the workings of his mind’s imagination, its exceedingly vigorous life.

Soon enough a substantial segment of the English reading public, rich and poor and many, many in between, became familiar with the antic and sometimes soberly edifying carryings-on of Samuel Pickwick and his fellow clubsmen Nathaniel Winkle, Tracy Tupman, Augustus Snodgrass—and those they met: Alfred Jingle, Dr. Wardle, his daughters Bella and Emily, his spinster sister Rachael, Samuel Weller, Job Trotter, and the landlady Mrs.

True, Dickens tips his hand (as he so often does) with the name of Dedlock: Sir Leicester is indeed a baronet who (with others in England’s 19th-century nobility) is headed nowhere.

The social foolishness, the moribund paralysis, intellectual and moral, of a particular upper class is more than indicated in the early chapters .

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