Today, Carson lives in Ann Arbor, where she teaches classics and comparative literature at the University of Michigan.Tags: Banquet Hall Business PlanThesis Of Analytical ChemistryOnline Business Planning SoftwareBusiness Plan For Software Development CompanyTitles Of Research Papers ExamplesMaths Problems To SolveHow Reliable Are Essay Writing ServicesThesis Statement On Political PartiesUseful Phrases For Writing Essays Bachelor Students 2006
Awards and accolades came tumbling in: a Guggenheim Fellowship (1995); a Lannan Award (1996); the Pushcart Prize (1997); a Mac Arthur Fellowship (2000); and the Griffin Prize for Poetry (2001).She was twice a finalist for the National Book Critics Circle Award; was honored with the 1996 Lannan Award and the 1997 Pushcart Prize, both for poetry; and was named a Mac Arthur Fellow in 2000. She currently teaches Classics and comparative literature at the University of Michigan.Anne Carson was twice a finalist for the National Book Critics Circle Award; was honored with the 1996 Lannan Award and the 1997 Pushcart Prize, both for poetry; and was named a Mac Arthur Fellow in 2000. She currently teaches at the University of Michigan. Carson, Anne is the author of 'Decreation Poetry, Essays, Opera', published 2006 under ISBN 9781400078905 and ISBN 1400078903.Anne Carson is a Canadian poet, essayist, and translator.Carson lived in Montreal for several years and taught at Mc Gill University. Eliot Prize for Poetry – the first woman to do so; the Griffin Poetry Prize; and the Los Angeles Times Book Prize.In 2002 Carson became the first woman to receive England’s T. Eliot Prize for Poetry for For the past several years, Carson has been working on a spoken-word opera about three women mystics—Aphrodite, the fourteenth-century French heretic Marguerite Porete, and Simone Weil.Next year, Random House will publish —the eponymously titled opera—alongside new poems and essays.I also don’t know what it would be to do that, but if you read Virginia Woolf or George Eliot, there’s a fragrance of understanding you come away with—this smell in your head of having gone through something that you understood with the people in the story. INTERVIEWER Is that because it’s still part of your ongoing personal experience? CARSON I think so, because this capturing of the surface of emotional fact is useful for other people in that it jolts them into thinking, into doing their own act of understanding. INTERVIEWER There’s another line in “Stanzas, Sexes, Seductions”—“I want to be unbearable”—that strikes me as exact and expressive of you as a writer.CARSON I remember that sentence driving at me in the dark like a glacier.We started the following interview just after Christmas in 2002.Exhausted by the joyous demands of the season, Carson stretched out on an orange velveteen sofa and we talked—fortified by cups of oolong tea—for several hours.