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Hamlet Through A Feminist Lens Hamlet can be viewed through a feminist lens by focusing on Ophelia and Gertrude and how various other male characters treat them.
Within the first scene of Hamlet the reader discovers that Gertrude’s husband, the late King Hamlet, has passed and Gertrude has taken a new husband in Old Hamlet’s brother, Claudius.
The time passed between the death of Old Hamlet and the marriage of Gertrude was very brief, “but two months dead—Nay, not so much, not two.
Ophelia seems to turn her wants and needs completely to Hamlet to fill the void her father left.
With this, Ophelia’s transcend into madness can be shown as an act of assimilation with Hamlet.
She has to imitate and assimilate with him through Hamlet. ” Because Ophelia has adopted Hamlet’s madness, Hamlet, whose love for Ophelia has withered away, is considered “dead and gone” to Ophelia.
Closer to the end of the play, Ophelia’s madness resembles Hamlet’s more and more. A statement like such can only, at the very least, aggravate a woman who does not fit the stereotypical female.This is defined as one who is acquiescent and dependent of men.Because Hamlet is the main character and a male, it would be rather unorthodox for a female character of non-stereotypical traits to share the spotlight or even as any significant character.The women used in this play are portrayed as mere accessories, only working to worsen the conditions of the main male character's situation; therefore, causing the readers to sympathize or agree with him.She was so in need of a man that she was not even slow to jump into “A bed of incest.” If it were not for Claudius, Gertrude would have been lost and searching for the reason of life, such as Ophelia does.The once beautiful, dismissible, and timid daughter rapidly descends into madness.Carol Neely interpret her madness to be “her liberation from silence, obedience, and constraint.” When Polonius dies, Ophelia has no one to listen to, no one to head guidance from, and no one to act proper to.Ophelia’s madness is also a display of her innermost conflicts; feeling free, but also feeling lost with out a male figure to guide her.